All Hieronymus Bosch Oil Paintings

Netherlandish Northern Renaissance Painter, ca.1450-1516, Flemish painter. His surname was originally van Aeken; Bosch refers to 's Hertogenbosch, where he was born and worked. Little is known of his life and training, although it is clear that he belonged to a family of painters. His paintings, executed in brilliant colors and with an uncanny mastery of detail, are filled with strangely animated objects, bizarre plants and animals, and monstrous, amusing, or diabolical figures believed to have been suggested by folk legends, allegorical poems, moralizing religious literature, and aspects of late Gothic art. Such works as the Garden of Earthly Delights (Prado) appear to be intricate allegories; their symbolism, however, is obscure and has consistently defied unified interpretation. Bosch clearly had an interest in the grotesque, the diabolical, the exuberant, and the macabre. He also may have been the first European painter to depict scenes of everyday life, although often with a strong element of the bizarre. King Philip II of Spain collected some of his finest creations. The Temptation of St. Anthony (Lisbon) and The Last Judgment were recurring themes. Other examples of his art may be seen in the Escorial and in Brussels. Examples of the Adoration of the Magi are in the Metropolitan Museum and in the Philadelphia Museum, which also has the Mocking of Christ. Bosch, who deeply influenced the work of Peter Bruegel the Elder, was hailed in the 20th cent. as a forerunner of the surrealists, and his work continues to influence many contemporary artists.
 

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Hieronymus Bosch The Garden of Earthly Delights, right panel - Detail disk of tree man oil on canvas


The Garden of Earthly Delights, right panel - Detail disk of tree man
The Garden of Earthly Delights, right panel - Detail disk of tree man
Painting ID::  91899
  oil on panel cjr
  oil on panel cjr

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Hieronymus Bosch The Marriage at Cana oil on canvas


The Marriage at Cana
The Marriage at Cana
Painting ID::  92709
  Date second half of 15th century Medium oil on panel Dimensions Height: 93 cm (36.6 in). Width: 72 cm (28.3 in). TTD
  Date second half of 15th century Medium oil on panel Dimensions Height: 93 cm (36.6 in). Width: 72 cm (28.3 in). TTD

Height    Width


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Hieronymus Bosch The Last Judgment oil on canvas


The Last Judgment
The Last Judgment
Painting ID::  92767
  second half of 15th century Medium oil on panel Dimensions Height: 99.5 cm (39.2 in). Width: 60.3 cm (23.7 in). (central panel) cjr
  second half of 15th century Medium oil on panel Dimensions Height: 99.5 cm (39.2 in). Width: 60.3 cm (23.7 in). (central panel) cjr

Height    Width


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Hieronymus Bosch Ecce Homo oil on canvas


Ecce Homo
Ecce Homo
Painting ID::  92789
  Date c. 1496-1500 Medium oil on oak panel Dimensions 73 X 57.2 cm (28.7 X 22.5 in) TTD
  Date c. 1496-1500 Medium oil on oak panel Dimensions 73 X 57.2 cm (28.7 X 22.5 in) TTD

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Hieronymus Bosch Death and the Usurer oil on canvas


Death and the Usurer
Death and the Usurer
Painting ID::  92872
  c. 1490(1490) Medium oil on panel Dimensions Height: 93 cm (36.6 in). Width: 31 cm (12.2 in). cjr
  c. 1490(1490) Medium oil on panel Dimensions Height: 93 cm (36.6 in). Width: 31 cm (12.2 in). cjr

Height    Width


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     Hieronymus Bosch
     Netherlandish Northern Renaissance Painter, ca.1450-1516, Flemish painter. His surname was originally van Aeken; Bosch refers to 's Hertogenbosch, where he was born and worked. Little is known of his life and training, although it is clear that he belonged to a family of painters. His paintings, executed in brilliant colors and with an uncanny mastery of detail, are filled with strangely animated objects, bizarre plants and animals, and monstrous, amusing, or diabolical figures believed to have been suggested by folk legends, allegorical poems, moralizing religious literature, and aspects of late Gothic art. Such works as the Garden of Earthly Delights (Prado) appear to be intricate allegories; their symbolism, however, is obscure and has consistently defied unified interpretation. Bosch clearly had an interest in the grotesque, the diabolical, the exuberant, and the macabre. He also may have been the first European painter to depict scenes of everyday life, although often with a strong element of the bizarre. King Philip II of Spain collected some of his finest creations. The Temptation of St. Anthony (Lisbon) and The Last Judgment were recurring themes. Other examples of his art may be seen in the Escorial and in Brussels. Examples of the Adoration of the Magi are in the Metropolitan Museum and in the Philadelphia Museum, which also has the Mocking of Christ. Bosch, who deeply influenced the work of Peter Bruegel the Elder, was hailed in the 20th cent. as a forerunner of the surrealists, and his work continues to influence many contemporary artists.

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